Fibulae for sale!

I have a couple of the fibulae I cast up for sale on Etsy. If you’re in the US, this will be your last chance for reduced postage for a while since I will be leaving for Italy on the 14th. Think of it as a one week sale where you’ll not only save money, but your purchases will also arrive much sooner.

The link for the Etsy listing is here

peter-fibula2

 

 

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Bellows Forum

I have a fascination with bellows. We know they had to have existed in the Bronze Age, but unfortunately they are also constructed of ephemeral materials, so none have survived into modern times. The only physical evidence we have consists of fragments of tuyeres. An Egyptian painting from the Tomb of Rekhmire, from 1450 BC shows a man using pot bellows that are operated by hands and feet. There are also Chinese documents depicting the use of box bellows. But bellows, after blowpipes, are likely to be one of the earliest forms of delivering air to the furnace.

Egyptian bellows 2
Scene from the Tomb of Rekhmire. The man on the right is operating a set of pot bellows. The valve is opened when he lifts both his foot and pulls on the cord attached to the top of the bellows. The air is pushed out of the bellows when he steps down. These require a lot of coordination.

Until a set of bellows is uncovered preserved in a bog somewhere a lot is left to the imagination. How big or small could they be? How can the valves be altered to be more efficient? How heavy should the leather be? Should sturdiness trump suppleness? How are all the parts held together and made airtight? Bellows are one of the most essential pieces of equipment that we have for casting bronze and yet very little information is available about their use and construction from the community of experimental archaeologists and reenactment groups.

Over the years I’ve seen many different shapes and sizes of bellows and always thought that a forum where bellows design and use could be discussed would be invaluable for people to share ideas and experiences.

I would like to invite others to share photos of the bellows they’ve made on this site. This could be a welcome forum for discussing the pros and cons of different designs, what worked, what didn’t. Of course any news of archaeological bellows or tuyeres discovered would add to the fun.

To start, Martijn van Es sent me some photos of a set of bag bellows he made and photos of a new set he recently completed using the tutorial on this website. Martijn casts bronze at the Bronzezeithof Uelsen and Het Bronsvuur – The Bronze fire and is active on the web and Facebook discussing Bronze Age casting techniques and projects that he’s involved with.

 Other bellows designs

I saw these pot bellows in use at Arbeia Roman Fort several years ago. They incorporate partially hollowed tree stumps and circular leather bags with the valve on top. This is one set of bellows that won’t shift around!

Roman reenactors at Arbeia Roman Fort in South Shields, UK using a portable furnace and pot bellows
Roman reenactors at Arbeia Roman Fort in South Shields, UK using a portable furnace and pot bellows

 

This has to be my favourite bellows idea. Simply made from two cement bags.

I welcome others to send in photos of their bellows, and not just bag bellows. Any bellows that could be considered to fit in with what we know or can surmise from archaeology would be interesting for this forum.

If you are interested in making bellows for yourself but don’t know where to start, check out the tutorials on my site for making bag bellows and for making pump bellows.

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Making a Set of Bellows

These were made for a project in conjunction with Weston Park Museum in Sheffield. In the past I had used bag bellows, but we wanted something slightly more modern for an upcoming exhibit on the Roman presence in South Yorkshire. They were surprisingly easy to make and have held up well after many episodes of casting bronze and even an iron smelt

  • Materials needed:
  • Wood board
  • Leather or vinyl
  • 3 cm Copper coupling
  • Wooden pegs
  • Wood glue
  • Linseed or other oil
  • Wood screws
  • Tacks (a box each of 25 mm/1” and 13 mm/ ½”)
  • Upholstery hammer, or other hammer with a small face
  • Linseed or walnut oil
  • Contact cement

Tools needed:

  • Saw (preferably an electric jigsaw)
  • Drill
  • Drill bit to match the wooden pegs
  • 3 cm spade or flat bit
  • Cord or clamps

A note about health and safety

I am going to assume that you are capable of safely using the tools and materials described in the tutorial. Don’t wear loose clothing when using power tools, or let long hair get in the way. Don’t use electric power tools outdoors in the rain. If adhesive has warning labels, pay attention to what it says. I’m writing this tutorial so that you will have enough information to make a set of bellows. As for everything else, you’re on your own and I would prefer you have a good time making and using a great set of bellows.

Designing the bellows

The first thing to do is to sketch out what you want the finished bellows to look like. Traditional fireplace bellows are teardrop shaped, but since I was making a set of bellows and would be sitting between them, I wanted them to have a narrower shape so I could easily reach both handles without having to rock my body back and forth more than was necessary. I also frequently work with kids and wanted the bellows to be manageable for them as well. This was also a consideration when designing the handles. You’ll be working with these for hours at a time, and so you want something you can hold easily without getting blisters or straining your wrists. Gripping the handles will just stiffen the muscles of your hands and wrists and wear you out. Design something that’s comfortable and enables you to shift or change your grip periodically. The handle I ended up with was one that I could easily lift just using two fingers and push down with the flat of my hand.

The eventual over-all design and size of the bellows was limited by the availability of places to buy boards of the needed thickness, by the size of board I was able to find, and the fact that I don’t have a car. Mega-hardware stores like B&Q in Britain don’t have proper boards. They have composite shelving, which if you look at it closely will have seams running the length of the board where two narrower boards were glued together. I worried that this would weaken and possibly break, so I had to find a place that had solid boards. I went to a small shop that does custom woodworking. It would have been nice to make them of oak, but all they had was 2 cm/ ¾ inch pine.  I was extremely glad when the man there cut the board into lengths for me. It was a bit tricky since the board had knots and one large hole. We managed to figure out how to cut around the worst of them and I happily carried my supplies home.

Making the pattern

The next step was to make a pattern. I drew it out on newspaper, cut, taped, adjusted, and fiddled with it until I had it right. This really was the most time consuming part and rightly so. Take time to get the pattern perfect. Play with it. Pretend it’s finished and try pumping it. The time spent tweaking the pattern is time well spent.

Bellows pattern

Now, about the pattern. There are two large sections for the base and the top. The bottom piece would run the length of the bellows from the nose to the back. Rather than have two handles (like a fireplace bellows), the bottom would come just short of the handle (so I don’t knock my knuckles into the wood every time I pressed the bellows down. I did drill two holes in the bottom corners so that I could put tent pegs in to hold it down. My experience working with kids and plenty of adults) is that they tend to overcompensate and lift the bellows clear off the ground.

There are also two small pieces for the nose that will be laminated together with the bottom of the bellows. There are another two pieces that will serve to hold the leather hinge in place, and then the scraps that will be used for internal supports and feet. Just about every bit of the board was used in one way or another.

Once the pattern was made, I laid it out on the boards, working around knots and splits, so that it would be as solid as possible. I traced around it, and in one case changed it at the last minute, you’ll see some of the crossed out lines in photos of the interior. The important thing is to make any changes before cutting the wood.

Bellows 01

The thing I worried about most was the valve. I searched, but nowhere could I find a formula for the size of the valve hole in proportion to the rest of the bellows. I looked at as many as I could and from what I could tell something about one third of the width of the bellows would be sound. The valve itself would be a thick, but fairly flexible piece of leather, so if the valve was too long it might have difficulty making a good seal. I remember one set of bellows that a friend from New Zealand had that were enormous, but had a problem with the valve. The valve was large enough that when drawn up the leather would flip backwards on itself. The bellows had to be flipped over and the leather pulled back down before work could continue. I fussed and fretted awhile, but knew that if I erred on making the valve hole too small, I could always enlarge it. I ended up with a valve hole 6 cm by 8 cm.

The other decision was if the valve would be on the top or bottom. For this I got some input from friends who told me that having the valve on the top was more in keeping with Viking/Scandinavian traditions and that in order to close the valve I would have to push down more forcefully. This is not as much of a problem if I was primarily using these for an iron forge, but casting bronze and smelting iron blooms goes on for hours. I need something that will be efficient and not require any extra effort. In addition, when I work with kids, I want them to be able to help with casting without having them concentrate solely on trying to get the bellows to work.

The disadvantage of having the valve on the bottom is that leaves and debris can get sucked in. I decided to put the valve on the bottom of the bellows and to put small risers underneath. Then I just have to make sure that where I set them up is free from debris. If I was worried about anything getting sucked in I could put a bit of wire mesh on the outside the valve. So far this hasn’t been a concern.

For convenience sake, I decided to make the tuyere (the pipe where the air exits the bellows) out of a 3 cm copper coupling. For this I needed a spade or flat wood drill bit of the same size.

Assembling the bellows

Now to the cutting. That was pretty much straightforward, and I found that the two pieces leftover from cutting the handle made a nice design when put back to back. I later glued them together and they became the shield shape of the hinge. Of course if you want to save time, you could just use a door hinge or some fancy looking strap hinges.

bellows 04

Long scraps were used for the risers on the bottom of the bellows. Miscellaneous pieces became the internal supports. These support the top of the bellows and prevent it from being pushed too far down and straining the hinge. Another support was placed at the back for the same reason. It also prevents the leather from being trapped and abraded.

bellows 03

Once everything was cut, it was fit together and small adjustments made. The next step was to sand everything. You want the wood to be smooth and comfortable to work with, but also to remove any sharp edges might scrape and wear holes in the leather.

Once everything is sanded and fitted, the final assembly can begin. The first thing is to glue and clamp the nose pieces together. I didn’t have enough clamps for the job, and also some of the pieces were awkward sizes, so I wrapped and tied cord around them and then twisted it with some steel chopsticks (A good sized nail would do the trick, too). Get the joins as tight as possible and then let them dry completely. Once they are good and solid, mark the centre and drill through the end using the spay bit. Fit the copper coupling in. It should be a tight fit.  (Make diagram) Now from the inside widen the hole so that it is cone-shaped going back to the end of the coupling.

Bellows 02

Meanwhile pieces of leather were cut for the valve.  There is about a ½ – ¾ inch overlap on the end and sides and a bit more at the end where it is tacked in place. I doubled that part over to make a stronger hinge and used the shorter tacks to secure it.

I wanted to use wooden pegs as much as possible for the construction, but I realised that using some wood screws would make life easier. So the next step was to drill every piece that would need pegs and then to glue all the internal support pieces and secure them with wood screws. The internal supports were also cleverly lined up so the screws would help secure the risers. However, these were also drilled and pegged to the bottom of the bellows. Once again, everything was glued and clamped. Once it was dry I gave it a good coating of linseed oil. I used linseed because I had plenty on hand, but there are other good oils designed for woodworking.

Leathering the bellows

Now it’s time to go back to the drawing board. This time the design will be affected by how high you want to lift the bellows and your budget. Ideally this part should be made of soft leather, such as goat or pigskin. I’d love to have had the money for that, but had to opt for vinyl. Despite having used the cheaper material, it has held up amazingly well, and I do have the option of replacing it with leather on later. But whatever material you choose, a pattern must be made first. Bin liners / plastic trash bags are ideal for this.

bellows 05

Sit beside the bellows and lift the top up as comfortably as you want. Ideally you should be able to open the bellows to about 45° or a bit more. Think about your shoulders when you make this measurement. Measure the length from the handle to the bottom of the bellows and then add a few extra inches for rolling the edge under. Also remember you’ll be pumping up and down for hours. Also take into consideration that you don’t want the bellows to be so short that you lift them off the ground every time you pump them.

Now measure from the centre back around to the front. You’ll also need to have enough that both ends of the leather will overlap on the block where the tuyere comes in. The next dimension you need is the height of the front end. The leather should be a few inches higher than the block. Now a paper pattern can be made making sure that the sides and ends are symmetrical. Make sure to add an extra inch along the top and bottom to allow for folding the leather under when it is tacked in place. Get the pattern symmetrical by folding it in half lengthwise and adjusting it, and then fold it in half sideways and adjust that. Keep tweaking it until it’s exactly what you need. Use this to make a pattern from the plastic bags. This can be taped to the wood, and you’ll have an approximation of how the bellows will work. Try it out and make any adjustments before cutting into the leather.

bellows 06

Once it’s cut out, working from the centre back of the bottom, fold the leather so the cut edge is inside and secure it with tacks. I used the shorter tacks most of the way, but for some areas that get more stress, like along the corners, I used the longer tacks. Once you come to the front, pull the leather gently so that the edge is along the bottom, and tack it in place.

bellows 08

bellows 09

Put some tacks around the tuyere hole and cut the leather so there’s an opening. Do the same for the other side, overlapping the leather and cutting another hole. Put tacks in around the tuyere and the edge of the nose.

I had thought that I would need to glue the leather along the edges of the bellows, but I was pleased to find that the tacks did a good enough job and that there was no leakage.

Now for the top. Starting at the centre back again tack the leather along the edge, folding it like before. Overlap it along the front edge. There will be excess leather and you’ll have to push down a bit to get it to meet. At this point there will be a gap where the leather overlaps. Use some contact cement to seal the pieces together and let dry overnight. You’re almost there!

At this point you can test the bellows and feel how much air they put out. They work, but they’re a bit wobbly, so the final step is to make the hinge. You should have two drilled pieces of wood (if you didn’t drill them for pegs, wood screws will work well). One will fit closely over the top piece of the bellows and the other will go on top of the nose of the bellows. Push the top of the bellows down (it will take a little effort to cram the leather into place) and fit the top of the bellows so that it meets the edge of the nose.

bellows 10

Cut a piece of thick leather (the same type as used for the valve works fine) that will fit under both pieces of the upper hinge. If you’re using pegs, cut holes in the leather for them to go through. Glue the leather to the nose piece and to the wooden piece to go above the leather and secure them with pegs or screws, then do the same for the other half of the hinge. It should be a tight fit. The leather in the hinge will stretch over time, but after several months of use, I haven’t seen much change.

bellows 11

That’s it. You’re done. You’ve made a set of bellows suitable for bronze casting, forge work, or even iron bloom smelting. You can make them as big or as small as you want. Adjust them to fit your needs. Experiment and enjoy.

The finished bellows, ready for use!

If you want to use one at a time, you can add a longer pipe (I’ve found old pipes from vacuum cleaners work well). However, if you want to link two of them together you’ll need a more elaborate tuyere. There will be more on tuyeres in another article.

 

Here is another bellows making website:

http://www.manaraefan.co.uk/index_files/Page408.htm

 

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Traces of Empire – Video!

 

In the summer of 2014 Weston Park Museum here in Sheffield approached me about making a film about how metalwork would have been done in Roman Britain. Most of what I do is related to the Bronze Age, but I jumped at the chance to do something new. We set up a time to go take a look at the brooches they would have on display. After photographing them and taking measurements, I made some waxes and then put them into moulds. The process is explained in the video.

I also realised that bag bellows would probably not be the way to go, so I built the bellows that are described in the tutorial on this website.

Alan Sylvester, the filmmaker for Museums Sheffield and Lucy Creighton, (now the acting curator of archaeology) both spent long hours at Heeley City Farm helping me build the furnace and pump the bellows. After a day of filming Alan felt he needed more shots of metal being poured, and so we went back for a second day of filming. This time I had some of the pieces I cast earlier, so we could show a bit of the clean-up process.

It was a great experience. Later I gave a talk at Weston Park Museum about making the film and the importance of experimental archaeology. I also brought along the bellows and some of my tools. If you go see the exhibit, there’s a shorter version of the film on a loop near the display.

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