Forging Ahead!

2018 is filling up!

In mid-May I’ll be doing experimental work at the second annual Bronze Casting Festival at the Bronzezeithof in Germany. This year I plan to experiment with finishing techniques, including soldering and enamelling using Bronze Age and Iron Age technology. It should be a challenge. Right now I’m working on how to set up the experiments and locating some of the supplies I’ll need.

In July I’ll be helping out at the SHARP (Sedgeford Historical and Archaeological Project) in SE England archaeometallurgy course there. It’s a week-long course in experimental archaeology, plus talks and lectures on the history and science of metalworking.

11-12 August will see me back in Germany for the Kunst- und Handwerkstechniken der Bronzezeit (Art and Craftwork of the Bronze Age) at the Landesmuseum in Brandenburg.

I’ve also been asked to run a workshop in Nova Scotia as part of “Hands-On History” weekend.

It looks like an exciting summer full of casting and experimental work. I am paying my own way for most of this, but am fortunate to have support from contributors to my Patreon project. These are amazing people who make monthly donations to help support the projects I work on. Their generosity not only helps me, but also enables classes and workshops that introduce others to the world of experimental archaeology and ancient crafts. Contributors to the project get various rewards, ranging from monthly postcards to my unpublished diary from the two weeks when I lived on in the Bronze Age farm in Germany. The support of my patrons goes a long way to making so many of these events possible. If you’re interested in finding out more about Patreon or making a contribution (most are small, only $5 per month!) please click on the button below or on the column to the left. Thanks!

If you are interested in having me speak, demonstrate bronze casting, or run a workshop for your organisation or event, please contact me.

 

Sedgeford Archaeology: Metallurgy and more videos!

In the summer of 2014 I had the pleasure to assist Dr Eleanor Blakelock in running week-long seminars in archaeometallurgy and experimental archaeology at the  Sedgeford Historical and Archaeological Project (SHARP) in Norfolk. The current excavations are focused on two areas of an Anglo Saxon village, however their “primary objective is the investigation of the entire range of human settlement and land use in the Norfolk parish of Sedgeford”. The excavations have been going on since 1996, and the organisation provides comprehensive teaching in a wide area of archaeological subjects. You can read all about the project here.

The previous year SHARP began a new course in archaeometallurgy. Ellie wanted to expand the course, so I lent a hand with some of the hands-on and experimental work. We built furnaces, made moulds, crucibles, mixed alloys, and cast bronze. We even got some local ore to smelt iron. It was an intensive week and the hottest one I have ever experienced in England.

During the event, Ellie took some videos of us in action. The first one shows us building  a pit furnace for casting bronze and a pit for heating the moulds. The video then follows us through the casting process.

One interesting phenomenon of the week was how we became separated from the rest of the SHARP community. We were given our own space that wouldn’t interfere with the the trenches or the campground, and was not archaeologically sensitive. The first two days when we were building furnaces we kept to the same schedule as everyone else. However, once the casting began we couldn’t stop for meals or keep to the schedule that everyone else had. One of our group would go down to the mess tent and bring back food for the rest of us. We were effectively isolated, although the others always knew where we were from the rising smoke. Later when we started showing up with freshly cast  bronze jewellery there was a bit of envy and wonder. In the space of a couple days we had gone from being part of the community to the people who were “over there” with special knowledge, and who didn’t conform to the regular schedule or tasks that everyone else did. We kept odd hours, were continually covered in soot, but had become somewhat wizard-like in our knowledge of metalworking (not to mention regularly getting out of kitchen chores!).

On the final evening, everyone joined us for the iron smelt. The week had been intensely hot so we started stoking the bloomery furnace in the late afternoon, after the heat of the day. As the sun set and most folks had finished their supper, they came by to see the furnace in full swing with fire shooting from the top. Of course everyone wanted to take a turn at the bellows. It was a magical evening. Stories were told, and mysteries presented. The people who worked on the furnace and participated in the smelt had a new appreciation for the process of making iron. The archaeologists also had a more rounded knowledge of what a smelting site could have looked like, including the resources needed for smelting iron, and the physical space that people would have inhabited while at work. It was past 1 AM when we finally called it quits for the night and let the furnace cool.

In a way the course was an initiatory experience for the archaeologists who participated in the event. It was hard work, but they learned the secret knowledge of the smiths and have stories and their bronze castings to prove it. They also gained a well-rounded introduction to archaeometallurgy that included both theory and practice.

I have been back to help run the course and plan to be there again this summer. The course will run again this July. If you’re interested in learning more about the course or being part of the excavation please sign up on the SHARP website.